Oregon Coastline 2

I finally got around to scanning the medium-format negatives I shot in Oregon last year. Overall, I’m very pleased with the results—amazed, actually. Besides a yellow cast on the film, probably due to the flatbed scanner color-shifting negative to positive, and two examples where I double-exposed the film, I got a handful of beautiful shots on one roll. For these shots, I cheated with the light meter on my Canon, shooting the scene first digitally and then transferring the shutter speed and aperture settings to the Rolleicord. Now that I’ve got a better grasp of that relationship, I can take full advantage of the camera’s potential.

This is enough success to consider buying a flatbed scanner with a transparency adapter and shooting a lot more medium-format film. Can anyone with color developing experience tell me if it’s stupidly expensive to do at home, or more complicated than black and white?

I’m guessing this is another rhetorical query of the internets of the same variety as whether or not you should purchase a Vespa…

Yeah, I should have probably called this post “Dear Lazyweb…”

Does my experience in college count or no? I *was* a photojournalism minor with experience in old school b/w and color dark room experience…